Work
During the Second World War in London, Trefusis participated in the broadcasting of "La France Libre", which earned her a Legion d'Honneur after the war, and was also made a Commander of the Order of Merit of the Italian Republic.
Trefusis received mixed reviews on her books. Some critics credited Trefusis with an "excellent gift of observation" and also a "talent for mimicry and flair for decor in most of her books." These qualities were evident in her novels written in English and in French. Other critics stated that her books were not great literature, however they sold well enough, and her readers enjoyed them.
She made many appearances as a pivotal character in other writers' fiction, Nancy Mitford based, "Lady Montdore", a character in her novel Love in a Cold Climate on her. She was also featured in Cyril Connolly's The Rock Pool, Harold Acton's The Soul's Gymnasium as "Muriel," in several novels by Vita Sackville-West and in the well-known Virginia Woolf's Orlando: A Biography as the ravishing "Princess Sasha".
Although her writings spanned much of the twentieth century, many were unpublished. Virago the Publishing house devoted to recovering the forgotten work of women writers, including Trefusis. They set about putting matters right, bringing out two of her novels with introductions by Lorna Sage and Lisa St Aubin de Teran, but publishers were eventually defeated by copyright difficulties, and Lorna Sage, Trefusis great champion among British critics, died before she could accomplish what she planned.
Read more about this topic: Violet Trefusis
Famous quotes containing the word work:
“The relationship between mother and professional has not been a partnership in which both work together on behalf of the child, in which the expert helps the mother achieve her own goals for her child. Instead, professionals often behave as if they alone are advocates for the child; as if they are the guardians of the child’s needs; as if the mother left to her own devices will surely damage the child and only the professional can rescue him.”
—Elaine Heffner (20th century)
“I don’t pity any man who does hard work worth doing. I admire him. I pity the creature who does not work, at whichever end of the social scale he may regard himself as being.”
—Theodore Roosevelt (1858–1919)
“... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?”
—M. E. W. Sherwood (1826–1903)