Vinegar Joe (band) - History

History

Vinegar Joe evolved out of Dada, a 12-piece Stax-influenced, jazz-rock fusion band. Dada released one, eponymous, album in 1970, with a line up including vocalist Elkie Brooks and guitarist Pete Gage. Singer Robert Palmer, formerly with The Alan Bown Set, and bassist Steve York both joined Dada after the album had been recorded, and the four were signed by Ahmet Ertegun of Atlantic Records for USA and Chris Blackwell of Island Records for the UK and rest of the world to form Vinegar Joe in 1971, adding keyboard player Dave Thompson. The band was without a drummer. Conrad Isidore and Rob Tait drummed on the first album. Their debut LP Vinegar Joe was released in April 1972 on Island Records in the UK and Atco Records in the US.

John Hawken took over from Thompson on keyboards and John Woods became the drummer for live shows. Mike Deacon took over on keyboards. During recording of their second album, Rock'n Roll Gypsies, also released in 1972, Keef Hartley played drums. Guitarist Jim Mullen also joined the band for this record and stayed played on the US tour . Drummer Pete Gavin joined the band prior to the US tour and recording of their third and final album Six Star General released in 1973. The band dissolved at in the spring of 1974. Alan Powell played drums during the band's final weeks.

Although Vinegar Joe never achieved significant record sales, they received considerable press coverage and toured extensively, playing numerous sell-out concerts, especially on the British university circuit.

Subsequently, Brooks and Palmer went on to enjoy success as solo musicians. Gage became a record producer and arranger, working with Brooks, his wife, until their divorce, and a range of successful musicians like Joan Armatrading and specialising in upcoming rockabilly and punk bands such as Restless, King Kurt and others.

Read more about this topic:  Vinegar Joe (band)

Famous quotes containing the word history:

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)

    In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.
    Henry Brooks Adams (1838–1918)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)