In Media
- He was portrayed in an early German soundfilm by Willi Forst in 1931, and in a television-miniseries called The Man Who Stole La Gioconda by Alessandro Preziosi in 2006.
- In an April 1956 episode of the TV-show You Are There, called "The Recovery of the Mona Lisa (December 10, 1913)", Peruggia is played by Vito Scotti, who reprised the role in yet another TV-reconstruction of the famous theft, this time for the TV-show G.E. True. The episode was called The Tenth Mona Lisa and aired in March 1963.
- In Season 2, Episode 7 of the American produced television series Leverage, the theft of the Mona Lisa was quoted and the duplicates of the painting that were created are referenced as a story telling device.
- A similar con using duplicates painted by Da Vinci himself is portrayed in the 1979 Doctor Who story City of Death.
- On 6 April 2010, the downloadable content pack "Kasumi's Stolen Memories" for the video game Mass Effect 2, had his name mentioned as the password to a villainous art thief's vault with a subsequent statement to the significance of the name. In the DLC "The Lair of the Shadow Broker", it is revealed that a squad member from the game, Kasumi Goto, is the current owner of the painting in the Mass Effect universe.
- The story of Peruggia is recounted at the beginning of Chapter 12 in Daniel Silva's The Rembrandt Affair (Gabriel Allon) which was originally published in July 2010.
- Art Historian Noah Charney's 2011 monograph, "The Theft of the Mona Lisa: On Stealing the Worlds Most Famous Painting" (ARCA Publications) is the most recent full account of the theft and its ramifications.
Read more about this topic: Vincenzo Peruggia
Famous quotes containing the word media:
“The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.”
—Pope John Paul II (b. 1920)
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)