Early Bands and Depeche Mode
In the late-1970s, Clarke and schoolmate Andy Fletcher formed the short-lived band No Romance in China. In 1979, he teamed up with Marlow & Gore to form French Look. Another band, named Composition of Sound, followed in 1980 with another addition of Martin Gore and also, Fletcher. Clarke provided vocals until singer Dave Gahan joined the band, which was now renamed Depeche Mode. At that time, Clarke adopted his stage-name. The band initially adopted a slick synthesised electropop sound, which produced the album Speak and Spell and the Clarke-penned singles "Dreaming of Me", "New Life" and "Just Can't Get Enough" in 1981.
Clarke left Depeche Mode shortly thereafter. There were many rumoured reasons pertaining to his departure. Clarke himself has stated that he did not enjoy the direction in which the band was going. He commented on Depeche Mode's later material as being a little dark for his taste, but good nonetheless. He also commented: "Martin was a strong writer. He always had been. And I think when I left, it gave him the chance just to sort of emerge as the songwriter. I mean, he could always write songs. It's not like he just started because I left". Clarke also stated that he didn't enjoy the public aspects of success, such as touring and interviews, and found himself frequently at odds with his bandmates, particularly on the tour bus. He also stated: "I think everybody in the band, especially myself, imagined that the reason we were doing so well was because of themselves... We were pretty young and very lucky, and things had happened very quickly for us and I don't think we were really mature to handle the situation." Depeche Mode went on to achieve international stardom.
Read more about this topic: Vince Clarke
Famous quotes containing the words early, bands and/or mode:
“Women who marry early are often overly enamored of the kind of man who looks great in wedding pictures and passes the maid of honor his telephone number.”
—Anna Quindlen (b. 1952)
“With girls, everything looks great on the surface. But beware of drawers that wont open. They contain a three-month supply of dirty underwear, unwashed hose, and rubber bands with blobs of hair in them.”
—Erma Bombeck (20th century)
“That the mere matter of a poem, for instanceits subject, its given incidents or situation; that the mere matter of a picturethe actual circumstances of an event, the actual topography of a landscapeshould be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.”
—Walter Pater (18391894)