Designs
The Viktor Schreckengost Foundation homepage indicates:
Every adult in America has ridden in, ridden on, drunk out of, stored their things in, eaten off of, been costumed in, mowed their lawn with, played on, lit the night with, viewed in a museum, cooled their room with, read about, printed with, sat on, placed a call with, enjoyed in a theater, hid their hooch in, collected, been awarded with, seen at a zoo, put their flowers in, hung on their wall, served punch from, delivered milk in, read something printed on, seen at the World's Fair, detected enemy combatants with, written about, had an arm or leg replaced with, graduated from, protected by, or seen at the White House something created by Viktor Schreckengost.Schreckengost designed the Jazz Bowl for Eleanor Roosevelt during his association with Cowan Pottery. He created (at the time) the largest freestanding ceramic sculpture in the world, Early Settler at Lakewood High School in Lakewood, Ohio. He designed bicycles manufactured by Murray bicycles for Murray and Sears, Roebuck and Company. With engineer Ray Spiller, he designed the first truck with a cab-over-engine configuration, a design in use to this day. And he created simple, modern dinnerware designs that became popular throughout the United States.
Read more about this topic: Viktor Schreckengost
Famous quotes containing the word designs:
“I have no scheme about it,—no designs on men at all; and, if I had, my mode would be to tempt them with the fruit, and not with the manure. To what end do I lead a simple life at all, pray? That I may teach others to simplify their lives?—and so all our lives be simplified merely, like an algebraic formula? Or not, rather, that I may make use of the ground I have cleared, to live more worthily and profitably?”
—Henry David Thoreau (1817–1862)
“I have nothing against the Queen of England. Even in my heart I never resented her for not being Jackie Kennedy. She is, to my mind, a very gallant lady, victimized by whoever it is who designs the tops of her uniforms.”
—Leonard Cohen (b. 1934)
“He began therefore to invest the fortress of my heart by a circumvallation of distant bows and respectful looks; he then entrenched his forces in the deep caution of never uttering an unguarded word or syllable. His designs being yet covered, he played off from several quarters a large battery of compliments. But here he found a repulse from the enemy by an absolute rejection of such fulsome praise, and this forced him back again close into his former trenches.”
—Sarah Fielding (1710–1768)