Other Famous Temples in Karnataka
While the empire is well known for its monuments in the regal capital, Vijayanagara, it also built many temples in other areas of South India. Well known among these in Karnataka are Chaturmukha Basadi and Parshwanatheshwara Basadi (15th century) in Gerusoppa, Parshwanatheshwara Basadi, Santappanaik Tirumala Temple, Virupaksha Narayan Temple (1565), Bala Kini Raghunath Temple (1550) and Khetapai Narayan Temple at Bhatkal, Aryadurga Temple (1505) at Ankola, Partakali Jivottam Mutt (1560) at Gokarna, Mahalasa Narayan Temple (1565) at Kumta, Mahaganapati Mahamaya Temple (1560) at Shirali, Iswar Temple at Baindur, Balaram Temple at Malpe, Indrani Temple at Manipal, Vidyashankara Temple (1357) at Sringeri, Bhoganandiswara Temple at Nandi Hills, Kanakachalapathi Temple in Koppal district, Ananthasayana temple at Ananthasayanagudi (1524), Mallikarjuna temple at Hospet (1406-1422), Someswara Temple at Kolar (early 14th century), Ganesha Temple at Kurudumale, Tyaramalleshwara Temple (1466) at Hiriyur, Nandi Temple at Bangalore, Lakshmikanthaswamy temple in Tumkur (14th century), Venugopala Krishna temple in Timmalapura (Bellary district), Ranganatha temple at Rangasthala (Chikkaballapur district), Ranganathaswamy temple at Neerthadi (Chitradurga district), Gaurishvara temple in Yelandur (1500), Jambunatha temple in Hospet, and others.
Read more about this topic: Vijayanagara Architecture
Famous quotes containing the words famous and/or temples:
“When I was bound apprentice, in famous Lincolnshire,
Full well I served my master for more than seven year,
Till I took up poaching, as you shall quickly hear:
Oh, tis my delight on a shining night, in the season of the year.”
—Unknown. The Lincolnshire Poacher (l. 14)
“Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.”
—Claude Monet (18401926)