Cover Art
The cover art was by Mark Wilkinson, who had illustrated all Marillion albums and singles while Fish was their singer and went on to design almost all Fish solo covers. The front cover features a close-up from a larger, very detailed painting/collage inside the gatefold LP cover and the CD booklet. The painting contains many references to the lyrics, political allusions as well as "hidden" messages only understandable to fans (such as the faces of Marillion's keyboarder Mark Kelly and manager John Arnison). The central element is a "hill" consisting of junk consumer goods in a post-apocalyptic landscape, on top of which a couple clad in pseudo-oriental clothes stare into the distance, holding an hourglass. The man's cape, flapping in the wind, resembles the east of Scotland, with the Southern Uplands (Fish's home region) lit by light beams apparently emitted by the hourglass – a reference to Fish's interest in Scottish culture. Only the couple and the top of the hill are on the front cover. The TV sets and the Amiga 500 computer set the couple is standing on show pictures of Fish's face; on the larger version inside, these are replaced with faces from Ingres's painting The Golden Age.
Read more about this topic: Vigil In A Wilderness Of Mirrors
Famous quotes containing the words cover and/or art:
“See, there is a place by me where you shall stand on the rock; and while my glory passes by I will put you in a cleft of the rock, and I will cover you with my hand until I have passed by;
then I will take away my hand, and you shall see my back; but my face shall not be seen.”
—Bible: Hebrew, Exodus 33:21-23.
“Listen where thou art sitting
Under the glassy, cool, translucent wave,
In twisted braids of lilies knitting
The loose train of thy amber-dropping hair;
Listen for dear honours sake,
Goddess of the silver lake,
Listen and save.”
—John Milton (16081674)