Vietnam War In Film
The Vietnam War has been the subject of many films. One of the first major films based on the Vietnam War was John Wayne's The Green Berets (1968). Further cinematic representations were released during the 1970s and 1980s, including Michael Cimino's The Deer Hunter (1978), Francis Ford Coppola's Apocalypse Now (1979), Oliver Stone's Platoon (1986) - based on his service in the U.S. Military during the Vietnam War, Stanley Kubrick's Full Metal Jacket (1987), Hamburger Hill (1987) and Casualties of War (1989). Later films would include We Were Soldiers (2002) and Rescue Dawn (2007).
Other films in this genre include films that deal more with the issues veterans face at home after returning from the war. Films of this type include Taxi Driver (1976), Heroes (1977), Coming Home (1978), Combat Shock (1986), First Blood (1982), The War at Home (1979), Born on the Fourth of July (1989), Jacob's Ladder (1990), Heaven & Earth (1993), Forrest Gump (1994), Dead Presidents (1995), and Music Within (2007).
Read more about Vietnam War In Film: Post-war Films, List
Famous quotes containing the words vietnam war, vietnam, war and/or film:
“No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.”
—Richard M. Nixon (b. 1913)
“No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.”
—Richard M. Nixon (b. 1913)
“War is bestowed like electroshock on the depressive nation; thousands of volts jolting the system, an artificial galvanizing, one effect of which is loss of memory. War comes at the end of the twentieth century as absolute failure of imagination, scientific and political. That a war can be represented as helping a people to “feel good” about themselves, their country, is a measure of that failure.”
—Adrienne Rich (b. 1929)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)