Vietnam War in Film

Vietnam War In Film

The Vietnam War has been the subject of many films. One of the first major films based on the Vietnam War was John Wayne's The Green Berets (1968). Further cinematic representations were released during the 1970s and 1980s, including Michael Cimino's The Deer Hunter (1978), Francis Ford Coppola's Apocalypse Now (1979), Oliver Stone's Platoon (1986) - based on his service in the U.S. Military during the Vietnam War, Stanley Kubrick's Full Metal Jacket (1987), Hamburger Hill (1987) and Casualties of War (1989). Later films would include We Were Soldiers (2002) and Rescue Dawn (2007).

Other films in this genre include films that deal more with the issues veterans face at home after returning from the war. Films of this type include Taxi Driver (1976), Heroes (1977), Coming Home (1978), Combat Shock (1986), First Blood (1982), The War at Home (1979), Born on the Fourth of July (1989), Jacob's Ladder (1990), Heaven & Earth (1993), Forrest Gump (1994), Dead Presidents (1995), and Music Within (2007).

Read more about Vietnam War In Film:  Post-war Films, List

Famous quotes containing the words vietnam war, vietnam, war and/or film:

    No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.
    Richard M. Nixon (b. 1913)

    That’s just the trouble, Sam Houston—it’s always my move. And damnit, I sometimes can’t tell whether I’m making the right move or not. Now take this Vietnam mess. How in the hell can anyone know for sure what’s right and what’s wrong, Sam?
    Lyndon Baines Johnson (1908–1973)

    We used to wonder where war lived, what it was that made it so vile. And now we realize that we know where it lives, that it is inside ourselves.
    Albert Camus (1913–1960)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)