Vienna New Year's Concert - Audience

Audience

The concert is popular throughout Europe, and more recently around the world. The demand for tickets is so high that people have to preregister one year in advance in order to participate in the drawing of tickets for the following year. Some seats are preregistered by some Austrian families and passed down from generation to generation.

The event is broadcast —from 1989 to 1993 and again from 1997 to 2009 and in 2011 under the direction of Brian Large— by the Eurovision network which includes most major networks around Europe (including BBC Two in the United Kingdom). It is also broadcast on PBS in the United States (beginning in 1985), TVE in Spain, NOS in the Netherlands, BNT in Bulgaria, RTS in Serbia, HRT in Croatia, BHT in Bosnia and Herzegovina, RTSH in Albania, RTK in Kosovo, RTCG in Montenegro, TVR in Romania, CCTV in China, NHK in Japan, KBS in South Korea and SBS in Australia. Since 2006, the concert has been broadcast to viewers in several African countries (Botswana, Lesotho, Malawi, Mozambique, Namibia, Swaziland, Zambia and Zimbabwe). In Latin America the concert is broadcast in Chile by La Red, and also in Ecuador and Bolivia. Austria's ORF Ö1 channel also broadcast the concert on the radio.

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Famous quotes containing the word audience:

    The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.
    Helen Hayes (1900–1993)

    Bottom. What is Pyramus? A lover or a tyrant?
    Quince. A lover that kills himself, most gallant, for love.
    Bottom. That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes.
    William Shakespeare (1564–1616)

    We are born at the rise of the curtain and we die with its fall, and every night in the presence of our patrons we write our new creation, and every night it is blotted out forever; and of what use is it to say to audience or to critic, “Ah, but you should have seen me last Tuesday”?
    Michéal MacLiammóir (1899–1978)