Audience
The concert is popular throughout Europe, and more recently around the world. The demand for tickets is so high that people have to preregister one year in advance in order to participate in the drawing of tickets for the following year. Some seats are preregistered by some Austrian families and passed down from generation to generation.
The event is broadcast —from 1989 to 1993 and again from 1997 to 2009 and in 2011 under the direction of Brian Large— by the Eurovision network which includes most major networks around Europe (including BBC Two in the United Kingdom). It is also broadcast on PBS in the United States (beginning in 1985), TVE in Spain, NOS in the Netherlands, BNT in Bulgaria, RTS in Serbia, HRT in Croatia, BHT in Bosnia and Herzegovina, RTSH in Albania, RTK in Kosovo, RTCG in Montenegro, TVR in Romania, CCTV in China, NHK in Japan, KBS in South Korea and SBS in Australia. Since 2006, the concert has been broadcast to viewers in several African countries (Botswana, Lesotho, Malawi, Mozambique, Namibia, Swaziland, Zambia and Zimbabwe). In Latin America the concert is broadcast in Chile by La Red, and also in Ecuador and Bolivia. Austria's ORF Ö1 channel also broadcast the concert on the radio.
Read more about this topic: Vienna New Year's Concert
Famous quotes containing the word audience:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“When a subject is highly controversial ... one cannot hope to tell the truth. One can only show how one came to hold whatever opinion one does hold. One can only give one’s audience the chance of drawing their own conclusions as they observe the limitations, the prejudices, the idiosyncrasies of the speaker.”
—Virginia Woolf (1882–1941)
“There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.”
—Blaise Pascal (1623–1662)