Audience
The concert is popular throughout Europe, and more recently around the world. The demand for tickets is so high that people have to preregister one year in advance in order to participate in the drawing of tickets for the following year. Some seats are preregistered by some Austrian families and passed down from generation to generation.
The event is broadcast —from 1989 to 1993 and again from 1997 to 2009 and in 2011 under the direction of Brian Large— by the Eurovision network which includes most major networks around Europe (including BBC Two in the United Kingdom). It is also broadcast on PBS in the United States (beginning in 1985), TVE in Spain, NOS in the Netherlands, BNT in Bulgaria, RTS in Serbia, HRT in Croatia, BHT in Bosnia and Herzegovina, RTSH in Albania, RTK in Kosovo, RTCG in Montenegro, TVR in Romania, CCTV in China, NHK in Japan, KBS in South Korea and SBS in Australia. Since 2006, the concert has been broadcast to viewers in several African countries (Botswana, Lesotho, Malawi, Mozambique, Namibia, Swaziland, Zambia and Zimbabwe). In Latin America the concert is broadcast in Chile by La Red, and also in Ecuador and Bolivia. Austria's ORF Ö1 channel also broadcast the concert on the radio.
Read more about this topic: Vienna New Year's Concert
Famous quotes containing the word audience:
“There’s more bad music in jazz than any other form. Maybe that’s because the audience doesn’t really know what’s happening.”
—Pat Metheny (b. 1954)
“We are born at the rise of the curtain and we die with its fall, and every night in the presence of our patrons we write our new creation, and every night it is blotted out forever; and of what use is it to say to audience or to critic, “Ah, but you should have seen me last Tuesday”?”
—Michéal MacLiammóir (1899–1978)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)