Martin Leung, also known as the Video Game Pianist or the Blindfolded Pianist, is one of the first pianists to gain worldwide recognition for playing popular video game music on the piano, both in concert venues and in online videos.
Unlike many recognized musicians, Leung's breakthrough occurred almost entirely online when, on 2 July 2004, a video of him playing the Super Mario Bros theme blindfolded debuted on eBaum's World and later appeared on numerous viral video websites. Leung has been covered by Advanced Media Network, The Plain Dealer, Nintendo Power, GAME Magazine, CUBE Magazine, Night Life Montreal, MTV, 1UP.com, GameSpot, and Slashdot.
Read more about Video Game Pianist: Early Life, Performances
Famous quotes containing the words video game, video, game and/or pianist:
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“I recently learned something quite interesting about video games. Many young people have developed incredible hand, eye, and brain coordination in playing these games. The air force believes these kids will be our outstanding pilots should they fly our jets.”
—Ronald Reagan (b. 1911)
“Life is a game in which the rules are constantly changing; nothing spoils a game more than those who take it seriously. Adultery? Phooey! You should never subjugate yourself to another nor seek the subjugation of someone else to yourself. If you follow that Crispian principle you will be able to say “Phooey,” too, instead of reaching for your gun when you fancy yourself betrayed.”
—Quentin Crisp (b. 1908)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)