Career
Victor Moore made his film debut in 1915. He starred in three films that year, two of which were directed by Cecil B. DeMille - Chimmie Fadden and Chimmie Fadden Out West.
He appeared in over 50 films and 21 Broadway shows. His first appearance was on Broadway in Rosemary (1896). He also appeared in George M. Cohan's Forty-five Minutes from Broadway, which opened January 1, 1906, and its sequel, The Talk of New York (1907). He went on to star in shows such as Oh, Kay! (1926) as Shorty McGee, Hold Everything! (1928) as Nosey Bartlett, Gershwin's Of Thee I Sing (1931) with William Gaxton, Let 'Em Eat Cake (1933), Cole Porter's Anything Goes (1934) as Moonface Martin, and Irving Berlin's Louisiana Purchase (1940) as Oliver P. Loganberry.
Victor Moore worked in film twice with Bob Hope, first in Louisiana Purchase (1941) and again in Star Spangled Rhythm (1942).
He made a guest appearance as himself on The Martin and Lewis radio show on 8/16/49, and was a regular (as himself) on The Jimmy Durante Show.
He also appeared in such Hollywood films as Swing Time (1936) with Fred Astaire and Ginger Rogers, Make Way for Tomorrow (1937), The Heat's On with Mae West, Duffy's Tavern (1945), Ziegfeld Follies (1946), It Happened on 5th Avenue (1947), On Our Merry Way (1948), A Kiss in the Dark (1949), and We're Not Married (1952), working with Ginger Rogers for a second time. His last screen appearance was a role as a plumber in The Seven Year Itch (1955).
His most unusual role came in the 1945 Daffy Duck cartoon Ain't That Ducky. Moore was so pleased with the caricature of him that he offered to add his voice free of charge on one condition: that the animators drew him with a little more hair.
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Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)