Reception
Phil Wickham of the University of Exeter notes that "the whole point of the series is that Meldrew is the only sane voice in a mad world".
Jonathan Bignell in his book Media Semiotics observes that the reason people laugh at Victor Meldrew is not simply that his behaviour is excessive, but that it contrasts with how all the other characters in the TV series are behaving.
Meldrew's name is associated with aggression or grumpiness; the journal Age and Ageing notes that "Viewers of Victor Meldrew (‘One Foot in the Grave’) would not be surprised that hostility contributes to mortality in grumpy old men." Similarly the Mail Online and the Telegraph both use Richard Wilson's Meldrew to refer to a "grump", or people who enjoy "a good moan", while Jenny Turner in the London Review of Books can observe that "The timing and rhythm (of Geoff Dyer's Jeff in Venice, Death in Varanasi) have the flippancy of stand-up comedy. The voice has Eeyore in it, and Morrissey and Victor Meldrew, and could only be English and from that postwar, post-punk generation".
The BBC recalls that firstly "The role of Victor Meldrew transformed Scottish TV-actor Richard Wilson into a household name and award-winning comedy performer." In addition, "So popular was his character that 'Victor Meldrew' has endured as a cultural reference for any grumpy old man." And finally and more loosely "many viewers identified with his rages at the irritants of modern life: litter, junk mail, traffic, rudeness, streetlamps and car mechanics and to some, Victor Meldrew was a champion of the people, albeit a very grumpy one."
Victor Meldrew's persona is so powerful that Richard Wilson is perceived as "99 per cent Meldrew" by at least one critic, and when taking on a serious role as Malvolio in Shakespeare's Twelfth Night, another critic felt that Wilson's "performance was overly influenced by his desire to 'shed the Victor Meldrew stereotype'".
Read more about this topic: Victor Meldrew
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)