List of Works
- 1885 : 3 houses, Twaalfkameren 49, 51, 53 in Ghent (design)
- 1889 : Temple of Human Passions, Cinquantenaire Park in Brussels (protected monument since 1976)
- 1890 : Maison Matyn, rue de Bordeauxstraat 50, 1060 Saint-Gilles
- 1890 : Renovations and interior decoration to the Brussels residence of Henri van Cutsem, Kunstlaan / Avenue des Arts 16, Saint-Josse-ten-Noode (Today Charlier museum).
- 1892-1893 : Hôtel Tassel, rue Paul-Emile Jansonstraat 6 in Brussels
- 1893 : Maison Autrique, Haachtsesteenweg/Chaussée de Haecht 266 in Schaerbeek
- 1894 : Hôtel Winssinger, Munthofstraat / rue de l'Hôtel de la Monnaie 66 in Saint-Gilles
- 1894 : Hôtel Frison, rue Lebeaustraat 37 in Brussels
- 1894 : Atelier for Godefroid Devreese, Vleugelstraat / rue de l'aile 71 in Schaerbeek (modified)
- 1894 : Hôtel Solvay, Avenue Louise 224 in Brussels.
- 1895 : Interior decoration of the house of Anna Boch, Boulevard de la Toison d'Or / Guldenvlieslaan 78 in Saint-Gilles (demolished)
- 1895-1898 : Hôtel van Eetvelde, Avenue Palmerstonlaan 2/6 in Brussels
- 1896-1898 : Maison du Peuple / Volkshuis, place Vanderveldeplein in Brussels (demolished in 1965)
- 1897-1899 : Kindergarten, rue Sainte-Ghislaine / Sint-Gisleinstraat 40 in Brussels
- 1898-1900 : House and Studio of Victor Horta, rue Américaine / Amerikaansestraat 23-25 in Saint-Gilles (today the Horta Museum ).
- 1899 : Maison Frison "Les Épinglettes", avenue Circulaire / Ringlaan 70 in Uccle
- 1899 : Hôtel Aubecq, Avenue Louise 520 in Brussels (demolished in 1950)
- 1899-1903: Villa Carpentier (Les Platanes), Doorniksesteenweg 9-11 in Ronse
- 1900 : Extension of the Maison Furnémont, rue Gatti de Gamondstraat 149 in Uccle
- 1900 : Department store: A l'Innovation, rue Neuve 111 in Brussels (destroyed by fire in 1967)
- 1901 : House and Studio for the sculptor Fernant Dubois, Avenue Brugmannlaan 80 in Forest, Belgium
- 1901 : House and Studio for the sculptor Pieter-Jan Braecke, rue de l'Abdication / Troonafstandstraat 51 in Brussels
- 1902 : Hôtel Max Hallet, Avenue Louise 346 in Brussels.
- 1903 : Funeral monument for the composer Johannes Brahms on the "Zentralfriedhof" in Vienna (in collaboration with the Austrian sculptor Ilse Conrat)
- 1903 : Magasins Waucquez, rue du Sable / Zandstraat 20 in Brussels (since 1989 Belgian Centre for Comic Strip Art.
- 1903 : House for the art critic Sander Pierron, rue de l'Acqueduc / Waterleidingsstraat 157 in Ixelles
- 1903 : Grand Bazar Anspach, Bisschopsstraat / rue de l'Evêque 66 in Brussels (demolished)
- 1903 : Maison Emile Vinck, rue de Washingtonstraat 85, Ixelles (converted in 1927 by architect A.Blomme).
- 1903 : Department store: A l'Innovation, Chausée d'Ixelles / Elsenesteenweg 63-65 in Ixelles (converted)
- 1904 : Gym for the boarding school "Les Peupliers" in Vilvoorde.
- 1905 : Villa Fernand Dubois, rue Maredretstraat, Sosoye.
- 1906 : Brugmann Hospital, Place A. Van Gehuchtenplein in Jette; (First design; opened in 1923)
- 1907 : Magasins Hicklet, Nieuwstraat / rue Neuve 20 in Brussels (converted)
- 1909 : Wolfers Jewellers Shop, rue d'Arenberg / Arenbergstraat 11-13 in Brussels.
- 1910 : House for dr. Terwagne, Van Rijkswijcklaan 62, Antwerp.
- 1911 : Magasins Absalon, rue Saint-Christophe / Sint-Kristoffelstraat 41 in Brussels
- 1911 : Maison Wiener, Sterrekundelaan / avenue de l'Astronomie in Saint-Josse-ten-Noode (demolished)
- 1912 : Brussels-Central railway station (first designs; completed by Maxime Brunfaut and inaugurated in 1952).
- 1920 : Centre for Fine Arts, rue Ravensteinstraat in Brussels (first design; opened in 1928).
- 1925 : Belgian pavilion at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925.
- 1928 : Musée des Beaux-Arts Tournai in Tournai.
Victor Horta was interred in the Ixelles Cemetery in Brussels.
Read more about this topic: Victor Horta
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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