Character Biography
Victor Bergman was in his late fifties and, after the Moon's breakaway from Earth, served as Moonbase Alpha's lead scientist, and as a close confidant and advisor to Commander John Koenig, with whom he had become acquainted in his university days. The two would forge a lasting friendship.
He is conversant with most of the scientific disciplines, but is also something of a philosopher. A professor of astrophysics, he discovered a tenth planet in Earth's solar system which he would name Ultra and then helped to plan a manned mission to explore the planet. During the Moon's journey through unknown space, he calculated that an unknown space object the Moon was being drawn toward was the first 'black sun' (i.e. black hole) ever witnessed firsthand by man.
His backstory includes the significant detail that he is a Nobel Prize recipient. The framed certificate can be seen hung on the wall of his living quarters/laboratory in early episodes "Matter of Life and Death", "Black Sun", et cetera. In an early draft of "Breakaway", it is stated Bergman was involved in the invention of the artificial gravity system used on Alpha and other Space Commission installations and craft. Another Writers' Guide revelation was that Bergman was a widower and had lost his wife sometime before the series opener, inferring that Bergman's presence on Alpha was an escape from Earth and the memories it held. His accent seems to indicate he is a British national, but actor Barry Morse has stated he believes Bergman to be an Austrian of Jewish descent whose family fled Europe and Nazi tyranny in the late '30s/early '40s, taking refuge in Great Britain.
Following the disastrous failure of the 1996 Ultra Probe Mission, he was forced to leave Moonbase Alpha by Commissioner Dixon, the head of the Space Commission. Dixon made Bergman one of the scapegoats for the failure, in part because Bergman was unwilling to join in the vilification of Probe commander Tony Cellini.
Read more about this topic: Victor Bergman
Famous quotes containing the words character and/or biography:
“[A]s a lady adjusts her dress before a mirror, a man adjusts his character by looking at his journal.”
—James Boswell (1740–1795)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)