Background and Production
Until the 1967 Sexual Offences Act, which implemented the recommendations of the Wolfenden report, homosexual acts between consenting male adults were illegal in England and Wales. There were prosecutions and Sunday newspapers gave space to the court reports. Yet, by 1960, the police were as relaxed as possible over the old laws. There was a feeling that the code violated decent liberty. But police restraint did not deter the menace of blackmail.
Scriptwriter Janet Green had already previously collaborated with Basil Dearden on a previous British "social problem" film, Sapphire, which had dealt with racism against Afro-Caribbean immigrants to the United Kingdom in the late fifties. After reading the Wolfenden Report and aware of the context of several high-profile prosecutions against gay men, she became a keen supporter of homosexual law reform.
When the team of producer Michael Relph and director Basil Dearden first approached Bogarde, they warned him that a lot of people had already turned down the script because the material might be considered dangerous or unwholesome. In 1960, Bogarde was 39 and just about the most popular actor in British films. He had proven himself playing war heroes (The Sea Shall Not Have Them; Ill Met by Moonlight); he was the star of the hugely successful Doctor film series; and he was a reliable romantic lead in movies like A Tale of Two Cities. He was flirting with a larger, Hollywood career—playing Liszt in Song Without End. Bogarde was suspected to be homosexual, living in the same house as his business manager, Anthony Forwood, and was compelled every now and then to be seen in public with attractive young women. He seems not to have hesitated over the role of Farr. Similarly, Sylvia Syms never flinched from the part of his wife, though apparently several actresses had turned it down.
Other gay cast members included Dennis Price and Hilton Edwards. Though it mostly treats homosexuality in a non-sensationalised manner, there is one rather catty aspect to the film—Price's character (a prominent gay theater star) would have been fairly easy for contemporary audiences to identify with Noël Coward.
The script was originally entitled Boy Barrett, changing to Victim late in production. A number of controversial scenes were cut during discussions with the BBFC, including scenes with teenagers.
Read more about this topic: Victim (1961 film)
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