Career
Morrow's first movie role was in Blackboard Jungle (1955), after which he went into television. Later, he guest starred on John Payne's NBC western series, The Restless Gun. On April 16, 1959, he appeared in the premiere of NBC's 1920s crime drama The Lawless Years in the episode "The Nick Joseph Story". Morrow then appeared from 1960–1961 as Joe Cannon in three episodes of NBC's The Outlaws with Barton MacLane. On October 6, 1961, he guest starred in the ABC series Target: The Corruptors! with Stephen McNally and Robert Harland.
He was cast in the lead role in ABC's Combat!, a World War II drama, which aired from 1962–1967. He also worked as a television director. Together with Leonard Nimoy, he produced a 1966 version of Deathwatch, an English language film version of Genet's play Haute Surveillance, adapted by Morrow and Barbara Turner, directed by Morrow, and starring Nimoy. After Combat! ended, he worked in several films. Morrow appeared in two episodes of Australian-produced anthology series The Evil Touch (1973), one of which he also directed. He memorably played the wily local sheriff in director John Hough's road classic Dirty Mary, Crazy Larry, as well as the homicidal sheriff, alongside Martin Sheen, in the 1974 TV film The California Kid, and had a key role in the 1976 comedy The Bad News Bears. He also played Injun Joe in 1973 telefilm Tom Sawyer, which was filmed in Upper Canada Village. A musical version was released in theaters that same year.
Morrow wrote and directed a 1971 Spaghetti Western, produced by Dino DeLaurentis, titled A Man Called Sledge starring James Garner. It was Morrow's first and only big screen outing behind the camera. "Sledge" was filmed in Europe with desert-like settings that were highly evocative of the U.S. southwest.
Read more about this topic: Vic Morrow
Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
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—Jessie Bernard (20th century)