Vertical Loop - History

History

The vertical loop is not a recent roller coaster innovation. Its origins can be traced back to the 1850s when centrifugal railways were built in France and Great Britain. The rides relied on centripetal forces to hold the car in the loop. One early looping coaster was shut down after an accident. Later attempts to build a looping roller coaster were carried out during the late 19th century with the Flip Flap Railway at Sea Lion Park. The ride was designed with a completely circular loop (rather than the teardrop shape used by many modern looping roller coasters, see below), but caused neck injuries due to the intense G-forces pulled with the tight radius of the loop.

The next attempt at building a looping roller coaster was in 1901 when Edwin Prescott built the Loop-the-Loop at Coney Island. This ride used the modern teardrop-shaped loop and a steel structure, however more people wanted to watch the attraction, rather than ride. No more looping roller coasters were built until 1976 when Revolution opened at Six Flags Magic Mountain. Its success depended largely on its clothoid-based (rather than circular) loop. This shape reduced forces on the riders. The loop became a phenomenon, and many parks hastened to build roller coasters featuring them.

In 2000, a modern looping wooden roller coaster was built, the Son of Beast at Kings Island. Although the ride itself was made of wood, the loop was supported with steel structure. Due to maintenance issues however, the loop was removed at the end of the 2006 season. The loop was not the cause of the ride's issues, but was removed as a precautionary measure. It is the only successful installation of a loop on a wooden roller coaster. Due to an unrelated issue, Son of Beast has been Standing but not operating since June, 2009. King's Island later announced that it would be removed.

Read more about this topic:  Vertical Loop

Famous quotes containing the word history:

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)

    The custard is setting; meanwhile
    I not only have my own history to worry about
    But am forced to fret over insufficient details related to large
    Unfinished concepts that can never bring themselves to the point
    Of being, with or without my help, if any were forthcoming.
    John Ashbery (b. 1927)