Closet Drama
An important trend from around 1800 was the closet drama: a verse drama intended to be read from the page, rather than performed. Lord Byron and Shelley, as well as a host of lesser figures, devoted much time to the closet drama, in a signal that the verse tragedy was already in a state of obsolescence. That is, while poets of the eighteenth century could write so-so poetic dramas, the public taste for new examples was already moving away by the start of the nineteenth century, and there was little commercial appeal in staging them.
Instead, opera would take up verse drama, as something to be sung: it is still the case that a verse libretto can be successful. Verse drama as such, however, in becoming closet drama, became simply a longer poetic form, without the connection to practical theatre and performance.
According to Robertson Davies in A Voice From the Attic, closet drama is "Dreariest of literature, most second hand and fusty of experience!". But indeed a great deal of it was written in Victorian times, and afterwards, to the extent that it became a more popular long form at least than the faded epic. Prolific in the form were, for example, Michael Field and Gordon Bottomley.
Read more about this topic: Verse Drama And Dramatic Verse
Famous quotes containing the words closet and/or drama:
“I was a closet pacifier advocate. So were most of my friends. Unknown to our mothers, we owned thirty or forty of those little suckers that were placed strategically around the house so a cry could be silenced in less than thirty seconds. Even though bottles were boiled, rooms disinfected, and germs fought one on one, no one seemed to care where the pacifier had been.”
—Erma Bombeck (20th century)
“The universal social pressure upon women to be all alike, and do all the same things, and to be content with identical restrictions, has resulted not only in terrible suffering in the lives of exceptional women, but also in the loss of unmeasured feminine values in special gifts. The Drama of the Woman of Genius has too often been a tragedy of misshapen and perverted power.”
—Anna Garlin Spencer (1851–1931)