Biography
After Hamel graduated from Temple University, she worked as a secretary for a company that manufactured ironing board covers. She began a fashion modeling career after being discovered by Eileen Ford. In her first film role, she played a model in 1971's Klute, followed by roles in the disaster films Beyond the Poseidon Adventure and When Time Ran Out.
She was the model in the last cigarette commercial televised in the U.S. (for Virginia Slims, aired at 11:59 p.m. on New Year's Day 1971 on The Tonight Show). Hamel had been a model in print ads not just for Slims, but also for Pall Mall Gold cigarettes.
Hamel started appearing in TV series in 1975. She was considered for the role of Kelly Garrett on Charlie's Angels, but reportedly declined the role. Producer Aaron Spelling cast Jaclyn Smith instead.
Hamel is probably best remembered for playing Joyce Davenport, the hard-driving public defender and love interest of police captain Frank Furillo, on the long-running TV series Hill Street Blues from 1981 to 1987. She was a five-time Emmy nominee for that role.
Alan Alda's 1988 film A New Life cast Hamel in a leading role as his doctor and love interest. She was cast as Elizabeth, the wife of Charles Grodin's character in the movie Taking Care of Business in 1990.
She was named on Us magazine's "Best Dressed" list for 1983.
Hamel portrayed Lily Munster in the 1995 Halloween telefilm Here Come the Munsters in which Yvonne De Carlo had a cameo.
In 2002, she also appeared on Hill Street Blues creator Steven Bochco's legal drama Philly.
In recent years, Hamel had a recurring role in the NBC television series Third Watch and appeared as Margo Shephard, Jack's mother, in the ABC series Lost.
Read more about this topic: Veronica Hamel
Famous quotes containing the word biography:
“There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.”
—F. Scott Fitzgerald (1896–1940)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)