Further Reading
- Eight books of poems and letters by Veronica Franco may be found here.
- A portrait, attributed to Tintoretto, may be found here along with one of her most famous statements.
- A more extensive discussion of the film may be found here.
- Rosenthal, Margaret F., "Veronica Franco's Terze Rime (1575): The Venetian Courtesan's Defense" Renaissance Quarterly 42:2 (Summer 1989) 227-257
- Rosenthal, Margaret F., "Veronica Franco's Terze Rime (1575): The Venetian Courtesan's Defense" JSTOR
- Adler, Sara Maria. "Veronica Franco's Petrarchan Terze rime: Subverting the Master's Plan," Italica 65: 3 (1988): 213-33.
- Diberti-Leigh, Marcella. Veronica Franco: Donna, poetessa e cortigiana del Rinascimento. Ivrea, Italy, 1988.
- Jones, Ann R. The Currency of Eros: Women's Love Lyric in Europe, 1540-1620. Bloomington and Indianapolis, Ind., 1990.
- Phillipy, Patricia. "'Altera Dido': The Model of Ovid's Heroides in the Poems of Gaspara Stampa and Veronica Franco," Italica 69 (1992): 1-18.
- Rosenthal, Margaret F. The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice. Chicago,1992.
Read more about this topic: Veronica Franco
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“...what a thing it is to lie there all day in the fine breeze, with the pine needles dropping on one, only to return to the hotel at night so hungry that the dinner, however homely, is a fete, and the menu finer reading than the best poetry in the world! Yet we are to leave all this for the glare and blaze of Nice and Monte Carlo; which is proof enough that one cannot become really acclimated to happiness.”
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“A baby is a full time job for three adults. Nobody tells you that when you’re pregnant, or you’d probably jump off a bridge. Nobody tells you how all-consuming it is to be a mother—how reading goes out the window and thinking too.”
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