Verner Von Heidenstam - Biography

Biography

He was born in Olshammar, Örebro County to a noble family. He studied paintings in the Academy of Stockholm, but soon left because of ill health. He then traveled extensively in Europe, Africa and the orient. He was at once greeted as a poet of promise on the publication of his first collection of poems, Vallfart och vandringsår (Pilgrimage: the Wander Years, 1888). It is a collection of poems inspired by his experiences in the orient and marks an abandonment of naturalism that was dominant then in Swedish literature.

His love for beauty is showed also by the long narrative poem Hans Alienus (1892). Dikter ("Poems", 1895) and Karolinerna (The Charles Men, 2 vols., 1897–1898), a series of historical portraits of King Charles XII of Sweden and his cavaliers, shows a strong nationalistic passion. English translations of short stories from Karolinerna can be found in the American-Scandinavian Review (New York), May 1914, November 1915, and July 1916. The two volumes of Folkunga Trädet (The Tree of the Folkungs, 1905–07) are the inspired, epic story of a clan of Swede chieftains in the Middle Ages.

In 1910 a controversy was waged in Swedish newspapers between a number of Swedish literary men on the topic of the proletarian “degradation” of literature, the protagonists of the two opposing camps being August Strindberg and Heidenstam. Professors Lidforss and Böök also took part. Heidenstam's chief contribution was the pamphlet, directed chiefly against Strindberg, “Proletärfilosofiens upplösning och fall” (“The Decline and Fall of the Proletarian Philosophy”).

Heidenstam's poetical collection Nya Dikter, published in 1915, deals with philosophical themes, mainly concerning the elevation of man to a better humanity from solitude.

He died at his home Övralid in 1940.

Read more about this topic:  Verner Von Heidenstam

Famous quotes containing the word biography:

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)