Verity Lambert - Cinema Verity

Cinema Verity

In late 1985 Lambert left Thorn EMI, frustrated at the lack of success and at restructuring measures being undertaken by the company. She established her own independent production company, Cinema Verity. The company's first production was the 1988 feature film A Cry in the Dark, starring Sam Neill and Meryl Streep and based on the "dingo baby" case in Australia. Cinema Verity's first television series, the BBC1 sitcom May to December, debuted in 1989 and ran until 1994. The company also produced another successful BBC1 sitcom, So Haunt Me, which ran from 1992 to 1994.

Lambert executive produced Alan Bleasdale's hard-hitting drama serial G.B.H. for Channel 4 in 1991, winning critical acclaim and several awards. Lambert's relationship with Bleasdale was not entirely smooth, however — the writer has admitted in subsequent interviews that he "wanted to kill Verity Lambert" after she insisted on the cutting of large portions of his first draft script before production began. However, Bleasdale subsequently admitted that she was right about the majority of the cut material, and when the production was finished he only missed one small scene from those she had demanded be excised.

A less successful Cinema Verity production, and the most noted mis-step of Lambert's career, was the soap opera Eldorado, a co-production with the BBC set in a British expatriate community in Spain. At the time it was the most expensive commission the BBC had given out to an independent production company. Launched with a major publicity campaign and running in a high-profile slot three nights a week on BBC1, the series was critically mauled and lasted only a year, from 1992 to 1993. Lambert's biography at Screenonline suggests some reasons for this failure: "With on-location production facilities and an evident striving for a genuinely contemporary flavour, Lambert's costly Euro soap Eldorado suggested a degree of ambition ... which it seemed in the event ill-equipped to realise, and a potentially interesting subject tailed off into implausible melodrama. Eldorado's plotting ... was disappointingly ponderous. As a result, the expatriate community in southern Spain theme and milieu was exploited rather than explored." Other reviewers, even the best part of a decade after the programme's cancellation, were much harsher, with Rupert Smith's comments in The Guardian in 2002 being a typical example. "A £10 million farce that left the BBC with egg all over its entire body and put an awful lot Equity members back on the dole... it will always be remembered as the most expensive flop of all time."

In the early 1990s, Lambert attempted to win the rights to produce Doctor Who independently for the BBC; however, this effort was unsuccessful because the Corporation was already in negotiations with producer Philip Segal in the United States. Cinema Verity projects that did reach production included Sleepers (BBC1, 1991) and The Cazalets (BBC One, 2001), the latter co-produced by actress Joanna Lumley, whose idea it was to adapt the novels by Elizabeth Jane Howard.

Lambert continued to work as a freelance producer outside of her own company. She produced the popular BBC One comedy-drama series Jonathan Creek, by writer David Renwick, ever since taking over the role for its second series in 1998. From then until 2004 she produced eighteen episodes of the programme across four short seasons, plus two Christmas Specials. She and Renwick also collaborated on another comedy-drama, Love Soup, starring Tamsin Greig and transmitted on BBC One in the autumn of 2005.

In 1973, Lambert married television director Colin Bucksey (a man ten years her junior), but the marriage collapsed in 1984, and they divorced in 1987. She had no children, once telling an interviewer, "I can't stand babies — no, I love babies as long as their parents take them away." In 2000 two of her productions, Doctor Who and The Naked Civil Servant, finished third and fourth respectively in a British Film Institute poll of the 100 Greatest British Television Programmes of the 20th century.

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