Interpretations
It is disputed whether these can be clearly distinguished from naturally-created lines. In 1997 American researcher Alexander Marshack argued using microscopic analysis that the grooves around the "neck" and down the "arms" were human made. However Steven Mithen in 1999 argued that Marshack's arguments "do not demonstrate that the lines are indeed intentional and that if they were that they were intended to represent a female figure". He took the view that research was yet to be done to determine whether "scoria found in non-archaeological contexts" could "carry incisions that might be confused with stone tools"
It remains uncertain whether or not the pebble has been modified by human action. If it has, there is the separate question of whether the scratches had any artistic or symbolic intent, and if so, whether they sought to make the object resemble the female form, as do the much later and rather different Venus figurines of the Upper Palaeolithic.
In 2000 d'Errico and Nowel argued that the incisions could be reliably identified as human-made, but a practical function related to tool-making could not be ruled out: "the use of different types of raw materials to produce a varied tool kit seems well documented." However some of the abrasions "are not necessarily consistent with a functional use of the object", suggesting that symbolic intent is a serious possibility. They conclude that it is "problematic" to identify a human body, as the cognitive and cultural context is so alien, saying that probably there will never be any agreement about what was intended by the marks.
Because it was found between two layers of ash, it has been dated by tephrochronology to at least 230,000 years before the present. If the artifact was intended to replicate a female figure, it would be the earliest example of representational art in the archaeological record. Rather than being made by modern humans, it would have been made by Homo erectus, hunter-gatherers and Acheulean tool users. There is some other evidence of an aesthetic sensibility during the period although compelling examples do not appear in the archaeological record until the emergence of modern humans around 50,000 years ago.
Read more about this topic: Venus Of Berekhat Ram