Interpretation
There are many interpretations of the figurines, often based on little argument or fact. Like many prehistoric artifacts, the cultural meaning of these figures may never be known. Archaeologists speculate, however, that they may be emblems of security and success, fertility icons, pornographic imagery, or even direct representations of a mother goddess or various local goddesses. The female figures, as part of Upper Palaeolithic portable art, appear to have no practical use in the context of subsistence. They are mostly discovered in settlement contexts, both in open-air sites and caves; burial contexts are much more rare.
At Gagarino in Russia, seven Venus figurines were found in a hut of 5 m diameter; they have been interpreted as apotropaic amulets, connected with the occupants of the dwelling. At Mal'ta, near Lake Baikal, figurines are only known from the left sides of huts. The figurines were probably not hidden or secret amulets, but rather were displayed to be seen by all (a factor that may explain their wide geographic spread). An image of excess weight may have symbolized a yearning for plenty and security.
Recently, two very ancient stone objects (between 200,000 and 300,000 years old) have been interpreted as attempts at representing females. One, the Venus of Berekhat Ram, was discovered on the Golan Heights; the other, the Venus of Tan-Tan, in Morocco. Both remain controversial. In any case, both are at best very cursorily and summarily carved, if they were carved at all. Their shape may simply result from natural erosion, their anthropomorphic appearance being coincidental.
Some scholars and popular theorists suggest a direct continuity between the Palaeolithic female figurines and later examples of female depictions from the Neolithic or even the Bronze Age. Such views have been contested on numerous grounds, not least the general absence of such depictions during the intervening Mesolithic.
Read more about this topic: Venus Figurines