Stories
Eleven of the thirteen Venus Equilateral stories were published in Astounding Science Fiction between 1942 and 1945. They were:
- "QRM—Interplanetary", October, 1942
- "Calling the Empress", June, 1943
- "Recoil", November, 1943
- "Lost Art", December, 1943
- "Off the Beam", February, 1944
- "The Long Way", April, 1944
- "Beam Pirate", October, 1944
- "Firing Line", December, 1944
- "Special Delivery", March, 1945
- "Pandora's Millions", June, 1945
- "Identity", November, 1945
Smith wrote a 12th story, "Mad Holiday", for the first book collection Venus Equilateral (1947) (which omitted "Lost Art" and "Identity"), and a 13th story, "The External Triangle", for Harry Harrison's 1973 anthology Astounding. All 13 stories were included in the 1976 Ballantine collection The Complete Venus Equilateral and the 1980 reprint published by its SF imprint Del Rey Books. Previously they had all appeared in the British 1975 Orbit Books publication in two parts Venus Equilateral: Volume One and Venus Equilateral: Volume Two.
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Famous quotes containing the word stories:
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)
“A man is known by the books he reads, by the company he keeps, by the praise he gives, by his dress, by his tastes, by his distastes, by the stories he tells, by his gait, by the notion of his eye, by the look of his house, of his chamber; for nothing on earth is solitary but every thing hath affinities infinite.”
—Ralph Waldo Emerson (1803–1882)
“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”
—Eudora Welty (b. 1909)