In Fiction
- William Shakespeare's play The Merchant of Venice, written ca. 1595, features Shylock, a Venetian Jew, and his family.
- Arnold Wesker's play The Merchant written in 1978 retells the story of Shylock and opens in the Nuovo Ghetto.
- Geraldine Brooks' 2008 novel People of the Book which traces the history of the Sarajevo Haggadah has a chapter with action taking place in 1609 in the Venetian Ghetto.
- Sarah Dunant's novel In the Company of the Courtesan, written in 2006, has some scenes which take place in a Jewish pawnshop in the Ghetto
- Susanna Clarke's 2004 novel Jonathan Strange & Mr Norrell features a scene in the Ghetto.
- Hugo Pratt: Venezianische Legende. Corto Maltese. Bd 8. Novel. Carlson, Hamburg 1985, 1998. ISBN 3-551-71669-2
- Mirjam Pressler: Shylocks Tochter. Venedig im Jahre 1568. Novel. Alibaba Verlag, Frankfurt am Main 1999, Bertelsmann, München 2005. ISBN 3-570-30172-9
- Rainer Maria Rilke: Eine Szene aus dem Ghetto. in: Rilke: Geschichten von lieben Gott. Insel, Leipzig 1931, Argon, Berlin 2006. (div. weitere Ausg.) ISBN 3-86610-045-0
- The trilogy by Israel Zangwill:
- Kinder des Ghetto. 1897. Cronbach, Berlin 1897, 1913 (German)
- Träumer des Ghetto. 1898. Cronbach, Berlin 1908, 1922 (German)
- Komödien des Ghetto. 1907. Cronbach, Berlin 1910 (German)]
- Daniel Silva: A Death in Vienna. 2004. Novel (features scenes in Cannaregio). ISBN 0399151435
Read more about this topic: Venetian Ghetto
Famous quotes containing the word fiction:
“One can be absolutely truthful and sincere even though admittedly the most outrageous liar. Fiction and invention are of the very fabric of life.”
—Henry Miller (18911980)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)