Plot
In 1825, in the village of Pietranera in French-controlled Corsica, hot-blooded maiden Colomba della Rabia (Faith Domergue) wants her brother Orso (George Dolenz) to avenge the murder of their father by the powerful Barracini family. Despite being a lieutenant, Orso is a man of peace and reason who opposes the Corsican practice of vendetta and revenge; he is more interested in courting the beautiful English aristocrat, Lydia Nevil (Hillary Brooke), who is vacationing on the island with her father, Col. Sir Thomas Nevil (Nigel Bruce).
To persuade Orso to do his family duty, Colomba must have the help of a family friend, the "bandit" Padrino (Donald Buka), and his servant Brando (Hugo Haas). When Orso is finally convinced that the Barracinis are guilty, and were acquitted at trial due to perjured testimony, he challenges Vincente Barracini to a duel, which pleases Colomba but horrifies Lydia. She is now bethrothed to Orso, but threatens to leave him if he goes through with the duel.
When Orso heads to the appointed place, Colomba finds out that the Barracini brothers are going to ambush him, and rides out to give him warning. In the confrontation that comes, Colomba is shot and dies in Orso's arms, the Barracinis are killed, and Orso is wounded, but not seriously. Padrino tells the grief-striken Orso that he must use his experience to guide the people to a better way of living, breaking the cycle of vendetta and death.
Read more about this topic: Vendetta (1950 Film)
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)