Impact and Contributions
In his time, Fortunatus filled a great social desire for Latin poetry and flattery. He was one of the most prominent poets at this point, and had many contracts, commissions and correspondences with kings, bishops and noblemen and women from the time he arrived in Gaul until his death. He used his poetry to advance in society, to promote political ideas he supported, usually conceived of by Radegunde or by Gregory, and to pass on personal thoughts and communications. He was a master wordsmith and because of his promotion of the church, as well as the Roman tendencies of the Frankish royalty, he remained in favour with most of his acquaintances throughout his lifetime.
From the point of view of the present day, Fortunatus provides another window into the world of the Merovingian court. For much of this period, the only reliable source on the subject is Gregory of Tours’ history, but as it is well known that Gregory had his own political and personal agendas, the objectivity of his accounts can sometimes come into question. While Fortunatus tends to embellish or even mock the happenings and truth of the situations he writes about, there is an element of inferred truth, whether it is his classical embellishments on the marriage panegyric for Sigibert, or his recalling the traits of the ideal ruler to correct a bad king. With this, he supplies an alternate view of everything going on at court, which at times differs from Gregory’s account.
His works have been set to music in settings which themselves have become prominent artworks. Anton Bruckner composed a motet based on Vexilla Regis, and Knut Nystedt a choral setting of O Crux Splendidior.
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