Images Traditionally Connected With The Veil of Veronica
There are at least six images in existence which bear a marked resemblance to each other and which are claimed to be the original Veil, a direct copy of it or, in two cases, the Mandylion. Each member of this group is enclosed in an elaborate outer frame with a gilded metal sheet (or riza in Russian) within, in which is cut an aperture where the face appears; at the lower extreme of the face there are three points which correspond to the shape of the hair and beard.
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The Vatican Veronica.
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The Holy Face of Vienna.
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The Holy Face of Alicante.
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The Holy Face of Jaén.
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Famous quotes containing the words images, connected, veil and/or veronica:
“Disappointment, when it involves neither shame nor loss, is as good as success; for it supplies as many images to the mind, and as many topics to the tongue.”
—Samuel Johnson (1709–1784)
“War and culture, those are the two poles of Europe, her heaven and hell, her glory and shame, and they cannot be separated from one another. When one comes to an end, the other will end also and one cannot end without the other. The fact that no war has broken out in Europe for fifty years is connected in some mysterious way with the fact that for fifty years no new Picasso has appeared either.”
—Milan Kundera (b. 1929)
“She, as a veil down to the slender waist,
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed:
Then was not guilty shame: dishonest Shame
Of Nature’s works, Honour dishonourable.”
—John Milton (1608–1674)
“Be afraid. Be very afraid.”
—Charles Edward Pogue, U.S. screenwriter, and David Cronenberg. Veronica Quaife (Geena Davis)