The Spring Gardens and The Rococo in England
The Spring Gardens were the most prominent vehicle in England for the public display of the new Rococo style. The earliest pictorial representation of Tyers' Spring Gardens, Vauxhall, is the "Vauxhall fan" (1736), an etching printed in blue designed to be pasted to a fan; it shows the earliest groups of pavilions, in a sober classical taste, but the interiors of the supper boxes were painted by members of Hogarth's St. Martin's Lane Academy, prominent among them Francis Hayman. Hayman provided most of the subjects, which were rapidly executed by students and assistants; Hubert Gravelot provided designs for two others, and Hogarth's designs were pressed into service in hastily dashed-off copies that filled the back of every box. At a certain hour, all the paintings were let down at once, to offer some security to the companies at supper and a suitable backdrop, one observer thought, for the live beauties of London. Frederick, Prince of Wales, who had come to England with his father George II in 1728 and who was a prominent patron of the Rococo, took sufficient interest in the Gardens to have his own pavilion built from the very first.
The first fully Rococo structure erected at the Spring Gardens, Vauxhall, was the "Turkish Tent" that was still a novelty in 1744; "this fantastic structure introduced that element of frivolous impermanence which became so characteristic of Vauxhall," David Coke has remarked. In the course of the 1740s it was joined by other examples of Rococo chinoiserie and above all by the Rotunda, with the most-viewed Rococo interior decoration in England, designed by George Michael Moser, another member of the St. Martin's Lane Academy; the ornaments were "Executed by French and Italians" George Vertue noted.
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