The Apparatus
The apparatus itself originated as a "horse", much like the pommel horse but without the handles; it was sometimes known as the vaulting horse. The horse was set up with its long dimension perpendicular to the run for women, and parallel for men. The vaulting horse was the apparatus used in the Olympics for over a century, beginning with the Men's vault in the first modern Olympics and ending with the Gymnastics at the 2000 Summer Olympics.
The horse has been blamed for several serious accidents over the years. In 1988, American Julissa Gomez was paralyzed in a vaulting accident; she died from complications from her injuries three years later. During warmups at the 1998 Goodwill Games, Chinese gymnast Sang Lan fell and suffered paralysis from a cervical-spine injury. In series of crashes when the horse's height was set too low at the 2000 Olympics, gymnasts either rammed into the horse's front end, or had bad landings after having problems with their hand placements during push-off.
Following the 1988, 1998 and 2000 problems, International Gymnastics Federation (FIG) re-evaluated and changed the apparatus, citing both safety reasons and the desire to facilitate more impressive acrobatics. The 2001 World Artistic Gymnastics Championships were the first international competition to make use of the "vaulting table", an apparatus made by Dutch gymnastics equipment company Janssen-Fritsen since the mid-1990s. It features a flat, larger, and more cushioned surface almost parallel to the floor, which slopes downward at the end closest to the springboard; gymnasts nicknamed it the "tongue"; it appears to be somewhat safer than the old apparatus.
In 2007, Dutch junior gymnast Imke Glas was seriously injured after a fall on a vault.
Read more about this topic: Vault (gymnastics)
Famous quotes containing the word apparatus:
“One’s condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one’s being, one becomes aware of the enormous apparatus of nothingness—the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others.”
—Norman Mailer (b. 1923)
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—Ralph Waldo Emerson (1803–1882)