Mandala Types and Properties
The central area in all mandala is the Brahmasthana. Mandala "circle-circumference" or "completion", is a concentric diagram having spiritual and ritual significance in both Buddhism and Hinduism. The space occupied by it varies in different mandala – in Pitha (9) and Upapitha (25) it occupies one square module, in Mahaapitha (16), Ugrapitha (36) and Manduka (64), four square modules and in Sthandila (49) and Paramasaayika (81), nine square modules. The Pitha is an amplified Prithvimandala in which, according to some texts, the central space is occupied by earth. The Sthandila mandala is used in a concentric manner.
The most important mandala are the Paramasaayika Mandala of 81 squares and especially the Manduka/ Chandita Mandala of 64 squares. The normal position of the Vastu Purusha (head in the northeast, legs in the southwest) is as depicted in the Paramasaayika Mandala. However, in the Manduka Mandala the Vastu Purusha is depicted with the head facing east and the feet facing west.
An important aspect of the mandala is that when divided into an odd number of squares, or ayugma, its center is constituted by one module or pada and when divided into an even number of squares or yugma, its center is constituted by a point formed by the intersection of the two perpendicular central lines. In spatial terms, the former is sakala or manifest/ morphic and the latter is nishkala or unmanifest/ amorphous.
Read more about this topic: Vastu Shastra
Famous quotes containing the words mandala, types and/or properties:
“He prayed more deeply for simple selflessness than he had ever prayed beforeand, feeling an uprush of grace in the very intention, shed the night in his heart and called it light. And walking out of the little church he felt confirmed in not only the worth of his whispered prayer but in the realization, as well, that Christ had become man and not some bell-shaped Corinthian column with volutes for veins and a mandala of stone foliage for a heart.”
—Alexander Theroux (b. 1940)
“Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaverlike tunneling to the top.”
—Camille Paglia (b. 1947)
“A drop of water has the properties of the sea, but cannot exhibit a storm. There is beauty of a concert, as well as of a flute; strength of a host, as well as of a hero.”
—Ralph Waldo Emerson (18031882)