Architecture
The Vassar campus has several buildings of architectural interest. Main Building, formerly housed the entire college, including classrooms, dormitories, museum, library, and dining halls. The building was designed by Smithsonian architect James Renwick Jr. and was completed in 1865. It was preceded on campus by the original observatory. Both buildings are National Historic Landmarks. The Rombout House was purchased by the college in 1915 and added to the National Register of Historic Places in 1982.
Many beautiful old brick buildings are scattered throughout the campus, but there are also several modern and contemporary structures of architectural interest. Ferry House, a student cooperative, was designed by Marcel Breuer in 1951. Noyes House was designed by Finnish-American architect Eero Saarinen. A good example of an attempt to use passive solar design can be seen in the Mudd Chemistry Building by Perry Dean Rogers. More recently, New Haven architect César Pelli was asked to design the Lehman Loeb Art Center, which was completed in the early 1990s. In 2003, Pelli also worked on the renovation of Main Building Lobby and the conversion of the Avery Hall theater into the $25 million Vogelstein Center for Drama and Film, which preserved the original 1860s facade but was an entirely new structure.
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Famous quotes containing the word architecture:
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“For it is not metres, but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.”
—Ralph Waldo Emerson (1803–1882)