Vasily Aksyonov - Career

Career

Reportedly, "during the liberalisation that followed Stalin's death in 1953, Aksyonov came into contact with the first Soviet countercultural movement of zoot-suited hipsters called stilyagi (the ones 'with style')." As a result

He fell in love with their slang, fashions, libertine lifestyles, dancing and especially their music. From this point on began his lifelong romance with jazz. Interest in his new milieu, western music, fashion and literature turned out to be life-changing for Aksyonov, who decided to dedicate himself to chronicling his times through literature. He remained a keen observer of youth, with its ever-changing styles, movements and trends. Like no other Soviet writer, he was attuned to the developments and changes in popular culture.

In 1956, he was "discovered" and heralded by the Soviet writer Valentin Kataev for his first publication, in the liberal magazine Youth. "His first novel, Colleagues (1961), was based on his experiences as a doctor." "His second, Ticket to the Stars (1961), depicting the life of Soviet youthful hipsters, made him an overnight celebrity."

In the 1960s Aksyonov was a frequent contributor to the popular "Yunost" ("Youth") magazine, and eventually became a staff writer. Aksyonov thus reportedly became "a leading figure in the so-called 'youth prose' movement and a darling of the Soviet liberal intelligentsia and their western supporters: his writings stood in marked contrast to the dreary, socialist-realist prose of the time." "Aksyonov's characters spoke in a natural way, using hip lingo, they went to bars and dance halls, had premarital sex, listened to jazz and rock'n'roll and hustled to score a pair of cool American shoes." "There was a feeling of freshness and freedom about his writings, similar to the one emanating from black-market recordings of American jazz and pop." "He soon became one of the informal leaders of the Shestidesyatniki – which translates roughly as "the '60s generation" – a group of young Soviets who resisted the Communist Party's cultural and ideological restrictions." "'It was amazing: We were being brought up robots, but we began to listen to jazz,' Aksyonov said in a 2007 documentary about him."

For all his hardship, Aksyonov,

as a prose stylist, was at the opposite pole from Mr. Solzhenitsyn, becoming a symbol of youthful promise and embracing fashion and jazz rather than dwelling on the miseries of the gulag. Ultimately, however, he shared Mr. Solzhenitsyn's fate of exile from the Soviet Union. Solzhenitsyn is all about the imprisonment and trying to get out, and Aksyonov is the young person whose mother got out and he actually can live his life now, said Nina L. Khrushcheva, who is a great-granddaughter of Nikita Khrushchev and a friend of the Aksyonov family and who teaches international affairs at the New School in New York. It was important to have the Aksyonov light, that light of personal freedom and personal self-expression.

However, Aksyonov's "open pro-Americanism and liberal values eventually led to problems with the KGB." "And his involvement in 1979 with an independent magazine, Metropol, led to an open confrontation with the authorities." His next two celebrated and dissident novels, The Burn and The Island of Crimea, could not be published in the USSR. "The former explored the plight of intellectuals under communism and the latter was an imagining of what life might have been like had the white army staved off the Bolsheviks in 1917."

"When The Burn was published in Italy in 1980, Aksyonov accepted an invitation for him and his wife Maya to leave Russia for the US." "Soon afterwards, he was stripped of his Soviet citizenship, regaining it only 10 years later during Gorbachev's perestroika."

"Aksyonov spent the next 24 years in Washington, D.C. and Virginia, where he taught Russian Literature at George Mason University." "He taught literature at a number of American universities, including USC and Goucher College in Maryland . . . worked as a journalist for Radio Liberty."

"He continued to write novels, among which was the ambitious Generations of Winter (1994), a multi-generational saga of Soviet life that became a successful Russian TV mini-series." The so-called "The Moscow Saga, epic trilogy . . . described the lives of three generations of a Soviet family between the 1917 Bolshevik Revolution and Stalin's death in 1953." The TV mini-series consisted of 24 episodes and was broadcast on Russian television in 2004. ", he also won the Russian Booker Prize, Russia's top literary award, for his historical novel Voltairian Men and Women, about a meeting between the famous philosopher Voltaire and Empress Catherine II."

"In 2004, he settled in Biarritz, France, and returned to the US less frequently, dividing his time between France and Moscow." His novel Moskva-kva-kva (2006) was published in the Moscow-based magazine Oktyabr.

"Aksyonov was translated into numerous languages, and in Russia remained influential." He was reportedly "forever a hipster was used to being in the avant garde, be it in fashion or literary innovation." He was described as "a colourful man, with his trademark moustache, elegant suits, expensive cars, and a love for grand cities, fine wine and good food."

On July 6, 2009, he died in Moscow at the age of 76 and is "survived by Maya and a son, Aleksei."