Origin of The Theme
Brahms composed the work on a theme entitled "Chorale Saint Antoni" found in a wind ensemble composition. At the time Brahms discovered it, the wind ensemble piece carried an attribution to the composer Joseph Haydn. Brahms's titled his own composition accordingly, crediting Haydn for the theme. But publishers in the early nineteenth century often attached the names of famous composers to works by unknown or lesser known composers in order to move inventory. Subsequent research has shown that the wind piece Brahms used as a source does not fit Haydn's style. Today the wind ensemble piece remains without attribution.
The situation has led to Brahms's piece being referred to today in recordings and concert programs as the Saint Anthony Variations in addition to its original title.
A detailed survey of the controversy can be found in Douglas Yeo's 2004 edition of the "Haydn" piece (ISMN M-57015-175-1). In 1870, Brahms's friend Carl Ferdinand Pohl, the librarian of the Vienna Philharmonic Society, who was working on a Haydn biography at the time, showed Brahms a transcription he had made of a piece attributed to Haydn titled Divertimento No. 1. The second movement bore the heading "St. Anthony Chorale," and it is this movement which, in its entirety, forms the theme on which the variations are based. Brahms's statement of the theme varies in small but significant ways from the original, principally with regard to instrumentation. Some sources state the Divertimento was probably written by Ignaz Pleyel, but this has not been definitely established. A further question is whether the composer of the divertimento actually wrote the "St. Anthony Chorale" or simply quoted an older theme taken from an unknown source. To date, no other mention of a "St. Anthony Chorale" has been found.
Read more about this topic: Variations On A Theme By Haydn
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