Gallery
The VAG was founded in 1931 and had its first home at 1145 West Georgia Street. In 1983 it moved to the Hornby Street location, the former provincial courthouse. It was renovated at a cost of $20 million by architect Arthur Erickson, which completed his modern three city-block Robson Square complex. The Gallery connects to the rest of the complex via an underground passage below Robson Street to an outdoor plaza, restaurants, the University of British Columbia's downtown satellite campus, government offices, and the new Law Courts at the southern end.
The VAG has 41,400 square feet (3,850 m2) of exhibition space and about 10,000 works in its collection, most notably its Emily Carr collection. It has also amassed a significant collection of photographs. In addition to exhibitions of its own collection, the VAG regularly hosts touring exhibitions. The VAG regularly sponsors or hosts a number of public programmes and lectures.
The VAG is home to a gift shop, a café, and a library.
In March 2007, the 2010 Olympic countdown clock was placed in the front lawn of the VAG. It was open for free for the public to see. The clock has since been disassembled, with one half going to BC Place and the other to Whistler Village.
Read more about this topic: Vancouver Art Gallery
Famous quotes containing the word gallery:
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (1825–95)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (1817–1862)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
—Herman Melville (1819–1891)