Building
The VAG is located in the former main courthouse for Vancouver. The original 165,000-square-foot (15,300 m2) neoclassical building was designed by Francis Rattenbury after winning a design competition in 1905. Rattenbury also designed the British Columbia Parliament Buildings and the Empress Hotel in Victoria.
The design includes ionic columns, a central dome, formal porticos, and ornate stonework. The building was constructed using marble imported from Alaska, Tennessee and Vermont. The new building was constructed in 1906 and replaced the previous courthouse located at Victory Square. At the time, the building contained 18 courtrooms.
An annex designed by Thomas Hooper was added to the western side of the building in 1912. The Annex Building is the only part of the VAG that was not converted to use as an art gallery. It was declared a heritage site and retains the original judges' benches and walls as they were when the building was a courthouse.
On the Georgia Street side of the building is the Centennial Fountain. This fountain was installed in 1966 to commemorate the centennial of the union of the colonies of Vancouver Island and British Columbia.
The building was designated a National Historic Site of Canada in 1980. Both the main and annex portions of the building are municipally designated "A" heritage structures.
The steps on both the Robson Street and Georgia Street sides of the building are a popular gathering spot for protest rallies. The Georgia Street side is also a popular place in the summertime for people to relax or socialize.
Read more about this topic: Vancouver Art Gallery
Famous quotes containing the word building:
“Whoever places his trust into a system will soon be without a home. While you are building your third story, the two lower ones have already been dismantled.”
—Franz Grillparzer (1791–1872)
“... what’s been building since the 1980’s is a new kind of social Darwinism that blames poverty and crime and the crisis of our youth on a breakdown of the family. That’s what will last after this flurry on family values.”
—Stephanie Coontz (b. 1944)
“There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success.”
—Raymond Chandler (1888–1959)