Career
Johnson performed at social clubs in Newport while in high school. He moved to New York City after graduating from high school in 1935 and joined an off-Broadway revue, Entre Nous (1935).
After touring New England in a theatre troupe as a substitute dancer, his acting career began in earnest in the Broadway revue New Faces of 1936. Johnson returned to the chorus after that, and worked in summer resorts near New York City. In 1939, director and playwright George Abbott cast him in Rodgers and Hart's Too Many Girls in the role of a college boy and as understudy for all three male leads. After an uncredited role in the film adaptation of Too Many Girls (which costarred Lucille Ball and Desi Arnaz), Abbott hired him as a chorus boy and Gene Kelly's understudy in Pal Joey.
Johnson was about to move back to New York when Lucille Ball took him to Chasen's Restaurant, where she introduced him to MGM casting director Billy Grady, who was sitting at the next table. This led to screen tests by Hollywood studios. His test at Columbia Pictures was unsuccessful, but Warner Brothers put him on contract at $300 a week. His all-American good looks and easy demeanor were ill-suited to the gritty movies Warner made at the time, and the studio dropped him at the expiration of his six-month contract. Shortly before leaving Warner, he was cast as a cub reporter opposite Faye Emerson in the 1942 film Murder in the Big House. His eyebrows and hair were dyed black for the role.
Read more about this topic: Van Johnson
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