Vampires in Popular Culture - Paintings

Paintings

'The Vampire' (1897) by Philip Burne-Jones depicts an alluring female vampire crouched over a male victim. The model was the famous actress Mrs Patrick Campbell. This femme fatale inspired a poem of the same name (also 1897) by Rudyard Kipling. Like much of Kipling's verse it was incredibly popular, and its inspired many early silent films whose 'vampires' were actually 'vamps' rather than being supernatural undead blood-suckers. The poem's refrain: A fool there was . . ., describing a seduced man, became the title of the popular film A Fool There Was (1915) which made Theda Bara a star, and the archetypal cinematic 'vamp'.

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Famous quotes containing the word paintings:

    the great orange bed where we lie
    like two frozen paintings in a field of poppies.
    Anne Sexton (1928–1974)

    All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
    John Berger (b. 1926)

    The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.
    Jean Szarkowski (b. 1925)