Vampire: The Dark Ages - Setting

Setting

The original game was set in dark medieval Europe in the year 1197, while the 2002 edition updated the setting to the year 1230. The setting lives from both its differences to the historical facts and to the predecessor game Vampire: The Masquerade.

  • In Dark Ages, vampires rule the night openly and some are even revered and worshipped, though the powers of the Inquisition and other mortal foes restrain their freedom.
  • A large number of vampires, as the rest of the European population, are deeply religious. The Cainite Heresy tries to infiltrate the Church.
  • The major vampire sects, the Camarilla and the Sabbat, have not been formed yet. The vampire society in Europe is ruled by Princes and other fief holders, although their power rarely extend beyond their city or domain.
  • The Tremere clan is in its infancy. Their clan leader has slain the founder of Salubri clan, Saulot, only few decades ago. The Tremere are at war with a number of other clans, notably with the powerful Tzimisce.
  • The Blood Curse has not yet been imposed on the Assamite clan.
  • The Cappadocians are one of the major 13 clans. The Giovanni are a bloodline of the Cappadocian clan.

Read more about this topic:  Vampire: The Dark Ages

Famous quotes containing the word setting:

    Many working mothers feel guilty about not being at home. And when they are there, they wish it could be perfect.... This pressure to make every minute happy puts working parents in a bind when it comes to setting limits and modifying behavior.
    Cathy Rindner Tempelsman (20th century)

    We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.
    Henry David Thoreau (1817–1862)

    With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.
    Henry David Thoreau (1817–1862)