Impact of The Armed Conflict and Drug Trade On Civilians
Valle del Cauca has long been considered one of the epicenters of the Colombian armed conflict. It was here and in Tolima that Fuerzas Armadas Revolucionarias de Colombia, better known by the acronym FARC-EP, were founded in 1964, following the aftermath of La Violencia. Valle del Cauca is considered part of the guerrillas' traditional "heartland", which stretches across southern Colombia to Vichada in the east. In the 1970s the cultivation of illegal crops like coca (and the subsequent production of Cocaine) led to the rise of the Cali Cartel and the financial strengthening of the right-wing paramilitary group Autodefensas Unidas de Colombia. In the 1980s the FARC became indirectly engaged in the drug trade through taxation of farmers, which quickly led to an escalation of the conflict between all parts involved. In the 1990s the department saw a number of displacement crises as tens of thousands of civilians, the majority of them of afro-Colombian and indigenous descent, were forced to flee the fighting between guerrillas, the army, paramilitaries and drug traffickers. The gradual downfall of the Cali Cartel and the demobilization of AUC between 2004 and 2006 led to a shift in the fighting in Valle del Cauca. Drug traffickers reorganized into smaller, more numerous and more effective "micro-cartels", while certain paramilitaries re-organized into "neo-paramilitary" groups, referred to as "BACRIM", or emergent criminal bands, by the government. The fracturing of the former paramilitary enemy allowed FARC and Ejército de Liberación Nacional to reclaim lost territory in the valley.
Read more about this topic: Valle Del Cauca Department
Famous quotes containing the words impact of the, impact of, impact, armed, conflict, drug and/or trade:
“The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.”
—Pope John Paul II (b. 1920)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“Conquest is the missionary of valour, and the hard impact of military virtues beats meanness out of the world.”
—Walter Bagehot (1826–1877)
“A woman’s beauty is a storm-tossed banner;
Under it wisdom stands, and I alone
Of all Arabia’s lovers I alone
Nor dazzled by the embroidery, nor lost
In the confusion of its night-dark folds,
Can hear the armed man speak.”
—William Butler Yeats (1865–1939)
“There is no prescribed method for resolving every specific conflict a mother has with her child, and there is certainly no method that will enable her to have exactly what she wants....There is, however, a larger goal, which is to establish and over-all climate of reasonableness, one in which she and her child can hear each other.”
—Elaine Heffner (20th century)
“Upon entering my vein, the drug would start a warm edge that would surge along until the brain consumed it in a gentle explosion. It began in the back of the neck and rose rapidly until I felt such pleasure that the world sympathizing took on a soft, lofty appeal.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)
“The trade of advertising is now so near perfection that it is not easy to propose any improvement. But as every art ought to be exercised in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.”
—Samuel Johnson (1709–1784)