Movies
In 2006 Valentino appeared in a cameo role, as himself, in the hit movie The Devil Wears Prada. One of the DVD's featurettes is called "Getting Valentino" and shows an interview of the designer and Valentino backstage with the movie's actresses, Meryl Streep and Anne Hathaway, his partner Giancarlo Giammetti, and his PRs Carlos de Souza and Charlene Shorto de Ganay.
Valentino: The Last Emperor a feature-length documentary film on the designer, premiered at the 2008 Venice International Film Festival. Produced and directed by Matt Tyrnauer, special correspondent for Vanity Fair magazine, the film follows Valentino and his inner circle throughout various events, including last year's anniversary show celebrating his 45-year career. During the movie's production from June 2005 to July 2007, the filmmakers shot more than 250 hours of footage with exclusive, unprecedented access to Valentino and his entourage. "We were let in to the inner circle, but we had to stick it out for a long time, practically move in, to capture the truly great moments", says Tyrnauer. "Valentino is surrounded by a tight-knit family of friends and employees, but, eventually, their guard came down and they forgot there was a camera crew in the room."
The film had its North American premiere at the 2008 Toronto International Film Festival. It was released theatrically in the United States on 18 March in New York City and selected cities. Indiewire called it the highest-grossing documentary debut of 2009.
Read more about this topic: Valentino Garavani
Famous quotes containing the word movies:
“One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.”
—Harold Rosenberg (1906–1978)
“... in the movies Paris is designed as a backdrop for only three things—love, fashion shows, and revolution.”
—Jeanine Basinger (b. 1936)
“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
—David Mamet (b. 1947)