Movies
In 2006 Valentino appeared in a cameo role, as himself, in the hit movie The Devil Wears Prada. One of the DVD's featurettes is called "Getting Valentino" and shows an interview of the designer and Valentino backstage with the movie's actresses, Meryl Streep and Anne Hathaway, his partner Giancarlo Giammetti, and his PRs Carlos de Souza and Charlene Shorto de Ganay.
Valentino: The Last Emperor a feature-length documentary film on the designer, premiered at the 2008 Venice International Film Festival. Produced and directed by Matt Tyrnauer, special correspondent for Vanity Fair magazine, the film follows Valentino and his inner circle throughout various events, including last year's anniversary show celebrating his 45-year career. During the movie's production from June 2005 to July 2007, the filmmakers shot more than 250 hours of footage with exclusive, unprecedented access to Valentino and his entourage. "We were let in to the inner circle, but we had to stick it out for a long time, practically move in, to capture the truly great moments", says Tyrnauer. "Valentino is surrounded by a tight-knit family of friends and employees, but, eventually, their guard came down and they forgot there was a camera crew in the room."
The film had its North American premiere at the 2008 Toronto International Film Festival. It was released theatrically in the United States on 18 March in New York City and selected cities. Indiewire called it the highest-grossing documentary debut of 2009.
Read more about this topic: Valentino Garavani
Famous quotes containing the word movies:
“The movies today are too rich to have any room for genuine artists. They produce a few passable craftsmen, but no artists. Can you imagine a Beethoven making $100,000 a year?”
—H.L. (Henry Lewis)
“One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.”
—Harold Rosenberg (1906–1978)
“I asked her if she wanted to go to the movies that night. She laughed again and told me that she felt like seeing a Fernandel movie. When we got dressed, she seemed very surprised to see me wearing a black tie and asked me if I was in mourning. I told her that my mother was dead. Since she asked me since when, I answered, “Since yesterday”.”
—Albert Camus (1913–1960)