Valaam Chant
The monastery of Valaam has a unique tradition of singing, called the Valaam chant, that combines some features of Byzantine and Znamenny chants. Thus, as in Byzantine chant, the singing is always 2-parts, comprising a melody and an ison, but, as in Znamenny chant, the scale structure is always diatonic, the ornamentation is simplified in comparison with Byzantine chant, and the melodies are more similar to that of ancient Znamenny Chant, at the edge of being considered a local variety of this tradition. These relative simplicity became one of the reasons for the experimental introduction of Valaam chanting in various parishes across Russia by the end of 20th century.
The monastery has a professional five-strong male-voice choir which tours the world to raise money for the on-going restoration of the buildings. Some of its music can be heard at the monastery's website.
Read more about this topic: Valaam Monastery
Famous quotes containing the word chant:
“Pan’s Syrinx was a girl indeed,
Though now she’s turned into a reed;
From that dear reed Pan’s pipe does come,
A pipe that strikes Apollo dumb;
Nor flute, nor lute, nor gittern can
So chant it, as the pipe of Pan;”
—John Lyly (1553–1606)