Economic Argument
Utilitarian bioethics is based on the premise that the distribution of resources is a zero-sum game, and therefore medical decisions should logically be made on the basis of each person's total future productive value and happiness, their chance of survival from the present, and the resources required for treatment.
For those whose cost of medical treatment or maintenance outweighs their total future economic value (because they are terminally ill, are no longer productive, and have no reasonable chance of becoming productive or happy in the foreseeable future), it is economically efficient to free up medical resources by not treating them.
As an example of this logic, every nurse who cares for a terminally ill Alzheimer's or cancer patient, a comatose individual, or an individual in a vegetative state, is one less nurse to take care of a sick baby or a 12-year-old gunshot victim. See opportunity cost.
Therefore, the benefits utilitarian bioethics include increased medical expenditure on other patients with a higher chance of survival and return to a productive and/or happy status. This would ideally lead to an overall net increase in wealth and happiness.
The perceived disadvantage of utilitarian bioethics include: potential justifications for physicians to kill patients, a gravitation towards acceptance of mortality and death, lack of medical progress (as the treatment of severe injuries would not be explored), the uncertainty in measuring 'happiness', and the possibility of classification of many disabled or old people as "nonpersons".
Read more about this topic: Utilitarian Bioethics
Famous quotes containing the words economic and/or argument:
“A society which is clamoring for choice, which is filled with many articulate groups, each urging its own brand of salvation, its own variety of economic philosophy, will give each new generation no peace until all have chosen or gone under, unable to bear the conditions of choice. The stress is in our civilization.”
—Margaret Mead (1901–1978)
“Any authentic work of art must start an argument between the artist and his audience.”
—Rebecca West (1892–1983)