History
The George Lucas Instructional Building (top) was demolished in 2009 after the opening of the new Cinematic Arts Complex (bottom).The School’s founding faculty include Douglas Fairbanks, D. W. Griffith, William C. DeMille, Ernst Lubitsch, Irving Thalberg, and Darryl Zanuck. Notable professors include Drew Casper, the Alma and Alfred Hitchcock Professor of American Film; Tomlinson Holman, inventor of THX; film critic and historian Leonard Maltin; and David Bondelevitch, President of the Motion Picture Sound Editors.
In April 2006, the USC Board of Trustees voted to change the school's name to the USC School of Cinematic Arts.
On September 19, 2006, USC announced that alumnus George Lucas had donated US$175 million to expand the film school with a new 137,000-square-foot (12,700 m2) facility. This represented the largest single donation to USC and the largest to any film school in the world. His previous donations resulted in the naming of two existing buildings after him and his then-wife, though Lucas was not fond of the architecture used in those buildings. An architectural hobbyist, Lucas laid out the original designs for the project, inspired by the Mediterranean Revival Style that was used in older campus buildings as well as the Los Angeles area. The project also received another $50 million in contributions from Warner Bros., 20th Century Fox and The Walt Disney Company.
The USC School of Cinematic Arts joined forces with the Royal Film Commission of Jordan to create the Red Sea Institute of Cinematic Arts (RSICA) in Aqaba, Jordan.
Read more about this topic: USC School Of Cinematic Arts
Famous quotes containing the word history:
“Whenever we read the obscene stories, the voluptuous debaucheries, the cruel and torturous executions, the unrelenting vindictiveness, with which more than half the Bible is filled, it would be more consistent that we called it the word of a demon than the Word of God. It is a history of wickedness that has served to corrupt and brutalize mankind.”
—Thomas Paine (1737–1809)
“When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?”
—David Hume (1711–1776)