Distribution and Local Groups
The Urnfield culture was located in an area stretching from western Hungary to eastern France, from the Alps to near the North Sea. Local groups, mainly differentiated by pottery, include:
- Knovíz culture in western and Northern Bohemia, southern Thuringia and North-eastern Bavaria
- Milavce culture in southeastern Bohemia
- Unstrut culture in Thuringia, a mixture between Knovíz-culture and the South-German Urnfield culture.
South-German Urnfield culture
- Northeast-Bavarian Group, divided into a lower Bavarian and an upper Palatinate group
- Lower-Main-Swabian group in southern Hesse and Baden-Württemberg, including the Marburger, Hanauer, lower Main and Friedberger facies.
- Rhenish-Swiss group in Rhineland-Palatinate, Switzerland and eastern France, (abbreviated RSFO in French).
Lower-Rhine Urnfield culture
- Lower Hessian Group
- North-Netherlands-Westphalian group
- Northwest-Group in the Dutch Delta region.
Middle-Danube Urnfield culture
- Velatice-Baierdorf in Moravia and Austria
- Čaka in western Slovakia
Gáva culture
Sometimes the distribution of artifacts belonging to these groups shows sharp and consistent borders, which might indicate some political structures, like tribes. Metalwork is commonly of a much more widespread distribution than pottery and does not conform to these borders. It may have been produced at specialised workshops catering for the elite of a large area.
Important French cemeteries include Châtenay and Lingolsheim (Alsace). An unusual earthworks was constructed at Goloring near Koblenz in Germany.
Read more about this topic: Urnfield Culture
Famous quotes containing the words distribution, local and/or groups:
“The man who pretends that the distribution of income in this country reflects the distribution of ability or character is an ignoramus. The man who says that it could by any possible political device be made to do so is an unpractical visionary. But the man who says that it ought to do so is something worse than an ignoramous and more disastrous than a visionary: he is, in the profoundest Scriptural sense of the word, a fool.”
—George Bernard Shaw (1856–1950)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“And seniors grow tomorrow
From the juniors today,
And even swimming groups can fade,
Games mistresses turn grey.”
—Philip Larkin (1922–1986)