Belief and Relation To Mythology
The earliest term by which these narratives were known, “urban belief tales,” highlights what was then thought to be a key property: they were held, by their tellers, to be true accounts, and the device of the FOAF was a spurious but significant effort at authentication. The coinage leads in turn to the terms "FOAFlore" and "FOAFtale". While at least one classic legend, the “Death Car”, has been shown to have some basis in fact, folklorists as such are interested in debunking these narratives only to the degree that establishing non-factuality warrants the assumption that there must be some other reason why the tales are told and believed. As in the case of myth, these narratives are believed because they construct and reinforce the worldview of the group within which they are told, or “because they provide us with coherent and convincing explanations of complex events”. Recently social scientists have started to draw on urban legends in order to help explain complex socio-psychological beliefs, such as attitudes to crime, childcare, fast food, SUVs and other "family" choices. Here the authors make an explicit connection between urban legends and popular folklore, such as Grimm's Fairy Tales where similar themes and motifs arise. For this reason, it is characteristic of groups within which a given narrative circulates to react very negatively to claims or demonstrations of non-factuality; an example would be the expressions of outrage by police officers who are told that adulteration of Halloween treats by strangers (the subject of periodic moral panics) is extremely rare, if it has occurred at all.
Read more about this topic: Urban Legend
Famous quotes containing the words belief, relation and/or mythology:
“Religion ... may be defined thus: a belief in, and homage rendered to, existences unseen and causes unknown.”
—Frances Wright (1795–1852)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“The history of the genesis or the old mythology repeats itself in the experience of every child. He too is a demon or god thrown into a particular chaos, where he strives ever to lead things from disorder into order.”
—Ralph Waldo Emerson (1803–1882)