Urban Decay

Urban decay (also known as urban rot and urban blight) is the process whereby a previously functioning city, or part of a city, falls into disrepair and decrepitude. It may feature deindustrialization, depopulation or changing population, economic restructuring, abandoned buildings, high local unemployment, fragmented families, political disenfranchisement, crime, and a desolate, inhospitable city landscape.

Since the 1970s and 1980s, urban decay has been associated with Western cities, especially in North America and parts of Europe. Since then, major structural changes in global economies, transportation, and government policy created the economic and then the social conditions resulting in urban decay.

The effects counter the development of most of Europe and North America; in countries beyond, urban decay is manifested in the peripheral slums at the outskirts of a metropolis, while the city center and the inner city retain high real estate values and sustain a steadily increasing populace. In contrast, North American and British cities often experience population flights to the suburbs and exurb commuter towns; that is, white flight. Another characteristic of urban decay is blight—the visual, psychological, and physical effects of living among empty lots, buildings and condemned houses. Such desolate properties are socially dangerous to the community because they attract criminals and street gangs, contributing to the volume of crime.

Urban decay has no single cause; it results from combinations of inter-related socio-economic conditions—including the city’s urban planning decisions, the poverty of the local populace, the construction of freeway roads and rail road lines that bypass the area, depopulation by suburbanization of peripheral lands, real estate neighborhood redlining, and xenophobic immigration restrictions.

Read more about Urban Decay:  Background, Policy Responses To Urban Decay

Famous quotes containing the words urban and/or decay:

    A peasant becomes fond of his pig and is glad to salt away its pork. What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and and not by a but.
    John Berger (b. 1926)

    It had been a moving, tranquil apotheosis, immersed in the transfiguring sunset glow of decline and decay and extinction. An old family, already grown too weary and too noble for life and action, had reached the end of its history, and its last utterances were sounds of music: a few violin notes, full of the sad insight which is ripeness for death.
    Thomas Mann (1875–1955)