Story
Urban Arcana's story varies from GM to GM, but they usually share these common factors. Urban Arcana takes place on Earth, or a slight variation of it. Ever since the dawn of time, creatures from another world have been appearing on Earth due to a force called Shadow. Creatures such as Elves, Kobolds, Gnoll, Aasimar, and others have inhabited earth for years, with no memory of the world they came from due to "The Gift of Lethe". They have always assimilated into human society because most "Mundane" or normal humans believe them to be fictional, and therefore see them as other mundanes. This is helped along by the fact that the Common tongue of D&D is always identical to the language of the area that they appear in (A sort of Deus Ex Machina to over come language barriers). In recent years however, Shadow activity has increased, with an influx of new Shadowkind appearing. The reason for this varies from campaign to campaign, some times never being explained at all. This has resulted in the formation of various organizations.
- Department 7, from the original d20 Modern. This version is headed by a female Mage, similar to the head agents of spy films. Most players are members of department 7.
- The Corsone syndicate, a reference to The Godfather. This mafia appears to be mundane at first, but as the player digs deeper, they find that it is run by shadowkind, usually a Mind Flayer.
- The Fraternal Order of Vigilance, a Hate Group dedicated to killing shadowkind. The philanthropic organization is a front for their more sinister means. Usually a villain. The Module might involve trying to expose them, or avoiding them.
- The Black Feathers, Eco-Terrorist run by an Elf. Mostly Neutral.
- A shadow television network.
Other organizations are corporations that are run by a genie, a medieval themed fast food restaurant run by shadow, or a homeless shelter for recently displaced shadowkind. One module involves Department 7's benefactor being a Gold Dragon.
Read more about this topic: Urban Arcana
Famous quotes containing the word story:
“Yet if strict criticism should till frown on our method, let candor and good humor forgive what is done to the best of our judgment, for the sake of perspicuity in the story and the delight and entertainment of our candid reader.”
—Sarah Fielding (1710–1768)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)
“The history of men’s opposition to women’s emancipation is more interesting perhaps than the story of that emancipation itself.”
—Virginia Woolf (1882–1941)