Music
The Band of the Fighting Irish is the oldest university band in continuous existence. It was formed in 1846. The all-male Glee Club was formed in 1915.
The "Notre Dame Victory March" is the fight song for the University of Notre Dame. It was written by two brothers who were Notre Dame graduates. The Rev. Michael J. Shea, a 1904 graduate, wrote the music, and his brother, John F. Shea, who earned degrees in 1906 and 1908, wrote the original lyrics. The lyrics were revised in the 1920s; it first appeared under the copyright of the University of Notre Dame in 1928. The chorus is, "Cheer cheer for old Notre Dame, wake up the echos cheering her name. Send a volley cheer on high, shake down the thunder from the sky! What though the odds be great or small, old Notre Dame will win over all. While her loyal sons are marching, onward to victory!"
The chorus of the song is one of the most recognizable collegiate fight songs in the United States, and was ranked first among fight songs by Northern Illinois University Professor William Studwell, who remarked it was "more borrowed, more famous and, frankly, you just hear it more."
In the film Knute Rockne, All American, Knute Rockne (played by Pat O'Brien) delivers the famous "Win one for the Gipper" speech, at which point the background music swells with the Notre Dame Victory March. George Gipp was played by Ronald Reagan, whose nickname "The Gipper" was derived from this role. This scene was parodied in the movie Airplane! with the same background music, only this time honoring George Zipp, one of Ted Striker's former comrades. The song also was prominent in the movie Rudy, with Sean Astin as Daniel "Rudy" Ruettiger, who harbored dreams of playing football at the University of Notre Dame despite significant obstacles.
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Famous quotes containing the word music:
“The time was once, when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.”
—William Shakespeare (1564–1616)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“For do but note a wild and wanton herd
Or race of youthful and unhandled colts
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turned to a modest gaze
By the sweet power of music.”
—William Shake{peare (1564–1616)